Portland, Maine

Yes. Life's Good Here

Mobile Navigation

First Friday Art Walk

Close

On the first Friday evening of every month, the city’s artists, galleries, and arts venues open up their doors for Portland’s thriving First Friday Art Walk.

Upcoming First Friday Art Walk

Friday, November 1, 2019

Maine College of Art
On View: October 21 - November 15, 2019 Maine College of Art Porteous Building: Lower Level, Floors 1-3 MECA's annual fall student exhibition, the BFA Exhibition, is open to all MECA students. It offers an opportunity for students to show new work, gain practical professional experience, and get valuable feedback from faculty and peers. Exhibition participants will be installed in the hallways and common area gallery zones on the Lower Level and Floors 1-3.
Artist(s):
Medium:
Portland Museum of Art
Barbara Morgan (1900-1992) was a pioneering figure in American photography known for her dynamic images of modern dance, experiments in photomontage, and gestural light drawings. Throughout her career, Morgan worked to visualize the “inner meanings” of her subjects. Her photographs capture fundamental elements of both photography and life – light and motion. Raised in southern California, Morgan studied and taught painting and became interested in gesture and movement. She carried this fascination into her photography, determined to record what she called the world’s “rhythmic vitality.” Image: Barbara Morgan (United States, 1900-1992), Wild Bee Honeycomb Skyscraper (detail), 1973 photomontage, 19 7/8 x 15 7/8 inches Gift of Paul B. Ford 1984.340
Artist(s):
Barbara Morgan
Medium:
Photography
Neiley Gallery & Studio
94 Commercial St., 2nd floor
Neiley Harris brings you... "Branching Out" Join us for Neiley’s colorful journey through the natural beauty of Maine, from scenic Bar Harbor to Portland’s working waterfront. Opening Reception: Friday, November 1, 2019, 5–8PM Meet Neiley and enjoy her latest body of work along with light refreshments at her new gallery & studio in Portland’s Old Port. Ten percent of the evening’s proceeds will be donated to Lucky Pup Rescue, a non-profit all-breed dog rescue in Kennebunkport, Maine. Neiley Gallery & Studio 94 Commercial Street, 2nd Floor (elevator access via side entrance) Portland, ME 04101 For more information, please visit neileyharris.com Or contact Neiley at neiley@neileyharris.com or by phone 207.215.8680
Artist(s):
Medium:
Neiley Gallery & Studio
94 Commercial St., 2nd floor
Neiley Harris brings you... "Branching Out" Join us for Neiley’s colorful journey through the natural beauty of Maine, from scenic Bar Harbor to Portland’s working waterfront. Opening Reception: Friday, November 1, 2019, 5–8PM Meet Neiley and enjoy her latest body of work along with light refreshments at her new gallery & studio in Portland’s Old Port. Ten percent of the evening’s proceeds will be donated to Lucky Pup Rescue, a non-profit all-breed dog rescue in Kennebunkport, Maine. Neiley Gallery & Studio 94 Commercial Street, 2nd Floor (elevator access via side entrance) Portland, ME 04101 For more information, please visit neileyharris.com Or contact Neiley at neiley@neileyharris.com or by phone 207.215.8680
Artist(s):
Neiley Harris
Medium:
Oil on canvas
Mechanics' Hall
CAPITOL CRAFT: The artisans and tradespeople who built and restored the U.S. Capitol Dome. Stop by Mechanics' Hall for First Friday Art Walk and the opening of a special exhibit curated by Bruce Brown and Robert Baird. Capitol Craft explores the architectural history of one of America's most iconic landmarks - the U.S. Capitol dome - and the restoration of this engineering marvel. Over twenty photographs by Charles Badal of the tradespeople who worked on this fascinating multi-year project will be on view. The exhibit will also feature large format prints of the original drawings of the Capitol by architect Thomas U. Walter. Capitol Craft can be viewed at Mechanics' Hall during the month of November. The art walk reception is free and open to public. Baird will give a presentation on Friday, November 8th, as part of The 2019 Sparrow Lecture. He will be introduced by Senator Angus King whose own photographs of the U.S. Capitol will also be included in the exhibit. Visit mainemechanics.org for more information and tickets to the lecture. Exhibit images, including feature image, are all courtesy of Architect of the Capitol.
Artist(s):
Charles Badal
Medium:
Photography
Casco Bay Artisans
A little History…. Casco Bay Artisans was founded in 2012 on the idea of bringing the best contemporary fine art to the market here in Portland, Maine. Over the last seven years, owner Jen Swarts has used a group curation model to find artists in the community and around the world that fit that criteria. This has evolved into the current group of artists that we are delighted to work with. Through a passion for beautiful objects, high technique, and diverse aesthetics, Swarts has created one of Portland’s foremost commercial art galleries representing 50 artists from the local, national, and international markets. This October, we celebrate 25 of these artists working in oil, acrylic, pastel, encaustic, found object, torn paper, glass, and steel. Our Featured Artists: Chris Beneman | Britta Bruce | Pat Campbell | Grace Cooper | Diane Dahlke | Christina Davis | Suzanne de Lesseps | Julia Doughty | Rachel Eleni | Joelle Feldman | Anastasia Gatto | Rebecca Hayes | Anne Ireland | Savya Jain | Erika Manning | Andrea Mulcahy | Kim Radochia | Ellen Roberts | Jan Royall | Michela Sperindo | Bonnie Spiegel | Robin Swennes | Dana Trattner | Maya Travaglia | Jean Wiecha
Artist(s):
Group exhibition
Medium:
oil, acrylic, pastel, encaustic, found object, torn paper, glass, and steel
Bridge Gallery
568 Congress Street
Meet the artists at Bridge Gallery, the working studio/gallery of Rhonda Pearle and Gary Perlmutter. Gary is a classical realist painter, creating beautiful realistic still lifes. Rhonda is an expressive painter, using brilliant colors and moving paint strokes to convey feeling. See where they work, how they work, and how these two very different styles compliment each other!
Artist(s):
Gary Perlmutter
Medium:
Oil on linen
Dockfore
336 Fore St
Christmas is right around the corner. Come check out these custom Corn Hole boards, and order one to put under the tree!
Artist(s):
Ted Hill
Medium:
Institute of Contemporary Art at Maine College of Art
522 Congress St.
On View: October 4 - December 14, 2019 DesignInquiry: Futurespective is a series of installations that demonstrate how DesignInquiry engages in open-ended extra-disciplinary exchange. On display in the galleries are multi-media installations of objects + projects that present the experience of DesignInquiry as a real-time gathering and explore the process of DesignInquiry as a collective practice of thinking and making. Futurespective demonstrates how our practices unfold in design and everywhere. These practices are as diverse as the Inquirers themselves: we draw, write, weave, and cook; we discuss, debate, and document. Through these practices, which are conceptual as well as material, we query the way design informs culture and culture informs design. Events, visiting artists, and designers-in-residence will intersect with MECA faculty, students, and the Portland community. DesignInquiry: Futurespective is an invitation to witness and participate in an active design lab with the goal to make evident that while a design process may appear unfinished, unplanned, and unknown, the outcomes can surprise in productive ways that reframe initial expectations of success.
Artist(s):
Medium:
The Press Hotel
I wanted this year's work, this momentous year of great change in my life, to be a balance of the exotic and contemporary, while also holding it’s own with the traditions of print. I want this year's work to be a representation of my ongoing study of the craft of printmaking while showcasing my "coming into my own." And I feel it as such, I feel this work is my own. It’s the work an artist makes when they finally understand what their mentors were trying to teach them, while at the same time giving themselves permission to disregard some of those teachings. Aesthetically, this work is heavily informed and inspired by artist printmakers such as Fèlix Vallotton, Mauricio Lasansky, and Leonard Baskin, as well as the traditions of Japanese woodblock and Ukiyo-e prints. Like many of the works made by these influences, my goal is to create images of the poetry that is inherent in everyday life. I want to glorify everyday life the way rock music or movies might. I want to create images that howl with tenderness, and pain, like an old Billy Holiday song might, while still being, on the surface, just a little song. There is something so compelling about trying to capture but not limit a moment. I'm looking for scenarios both intimate in detail but "everyday" enough to represent an idea of a moment that may occur a thousand times or once a lifetime, like the chorus in a love song. In my work, I am looking to represent moments so universal, I can’t help but stylize them, like an opera or Kabuki theatre, while also seeking a level of emotional realism. My aim is to treat my subjects with forgiveness, to redeem where I can, and to find glimmers of beauty in our awkwardness. Most of all, I want to make pictures, lovely pictures to hang in the salon, like the French used to. But not so fancy that they wouldn't be prints anymore. The sort of thing people might see and love, and want. Maybe this is what every artist wants, to make images that resonate with people, but with this work, I gave myself permission to actively make it a goal, to seek my audience through shared experience, while finding a visual language that might feel fresh and new.
Artist(s):
Lisa Pixley
Medium:
printmaking
Vena's Fizz House
At the heart of Brian Wasser's photography is a search for the hidden nature of things. Land, objects, plants - everything has memory, and places are always quietly holding thoughts from another time, just below the surface. This subtle, dreamlike refraction of the familiar is what he seeks to create with his images. He is thrilled to be showing work from a "floating" artist residency he did in August 2019, called the Village Canoe. Ten artists spent ten days paddling the coast of Maine from Bangor to Brooklin in two 30-foot canoes. Inspired by this communal journey from river to sea, his new work seeks to evoke the memory and spirit inherent in the coastal Maine landscape.
Artist(s):
Brian Wasser
Medium:
Photography
Lewis Gallery @ Portland Public Library
The Portland Public Library is pleased to present FOLKLAND, a group show in the main branch's Lewis Gallery, 10/4-12/21. Folklore and fairytales have long reflected our desire to understand the natural world and human behavior. Stories and illustrations connect us to each other and show how our relationship with nature is constantly evolving. Crafting a new kind of folklore, the artists in this exhibit tell a story of the natural world now, threatened by change, still rife with mystery and wonder. Their works ask us to revisit and reclaim our relationship with the world around us. Participating artists: Cecilia Ackerman, Stephen Burt, Annika Earley, Hilary Irons, and Andy Rosen. Curated by Rachael Harkness and Andy Rosen.
Artist(s):
Cecilia Ackerman, Stephen Burt, Annika Earley, Hilary Irons, and Andy Rosen
Medium:
mixed
Maine Historical Society
Swing by Maine Historical Society during the First Friday Art Walk to visit the museum exhibit galleries at no charge! Women in Harmony will be here between 6:30 and 6:45 sharing their music! Our exhibit "Holding Up the Sky: Wabanaki People, Culture, History & Art" explores Wabanaki philosophies of leadership and obligation relating to humans and non-humans over 13,000 years in what is now known as Maine. Wabanaki voices contextualize present-day relevance of 400 years of shared histories between Wabanaki people and immigrants to their region through 17th century colonial treaties, photographs, and contemporary artworks—everything from ash baskets to haute couture fashion.
Artist(s):
Medium:
Pinecone+Chickadee
6 Free St.
Please join us on Friday, November 1, for Bomb Diggity artist Gabe Brewington's opening reception of "I'm Cute." There will be art, refreshments, and fun! In Gabe's words: "When I am making my work, I think about being creative, and smart. Some of them come from horror movies, animals, and food that I like. I also get inspiration from musicians and comedy."
Artist(s):
Gabe Brewington
Medium:
Sharpie on paper
Chestnut Street Lofts Lobby Gallery
A show of encaustic prints by three Ann(e)s: Ann Deutsch, Anne Strout, and Ann Tracy. Attached image: After Hokusai, Encaustic Mixed Media by artist Ann Tracy
Artist(s):
Ann Tracy
Medium:
Encaustic Mixed Media
Grant Wahlquist Gallery
Grant Wahlquist Gallery is pleased to announce “A Study in Temperament,” Joe Mama- Nitzberg’s second solo exhibition at the gallery. The show will run from October 4 through November 9, 2019. Mama-Nitzberg’s allusive, slippery, mordant works in various media draw on a wide range of cultural icons and sub-cultural attitudes, distilling and combining them in an approach equally indebted to fine art, commercial display, and memento mori. A bricoleur par excellence, Mama-Nitzberg manages the difficult feat of addressing our current moment head on with startling incisiveness while maintaining a critical distance, sagely tempering his (and our) investment in our present debates, urgencies, transformations, and crises with patience and a lack of self-seriousness. Pop (in both its upper- and lower-case senses), modernist painting, the postmodernism of the Pictures Generation, digital culture, literature, queer arcana, personal narrative — “A Study in Temperament” puts them all to work in ways both skeptical and tender. This would, naturally, be where we would explain to you that three works in “A Study in Temperament” transform homoerotic advertising images from After Dark by either juxtaposing them with paintings by gay artists such as Robert Indiana or the names of Sacco and Vanzetti or Leopold and Loeb. We could certainly offer an exhaustive analysis of three pairs of photographs presented in a double-sided freestanding metal sign featuring Shirley Temple Black, Ryan White, and Dorian Gray, and ensure that you not only understand who they are but also comprehend that the work is about youth and the various ways we lose it, that you’re aware that it might be a wink at Sam Wagstaff and Robert Mapplethorpe. If you missed Mama-Nitzberg’s first solo exhibition at the gallery, you would want to know that it also had something to do with Oscar Wilde, who here creeps into not only Black, White, and Gray but also a screaming pink photograph on Duratrans in a light box that collages a modeling portfolio photograph of Andy Warhol and a Soloflex advertisement, both of which were created the same year. (Warhol looms large in “A Study in Temperament,” but where doesn’t he?) Of course, a few of the works in the show are happy to go the extra mile and explain themselves to you. There’s a suite of three photographs in small metal signs on a shelf, two of which contain abstract shapes that nod to 20th Century painting. The third sign won’t tell you to think about Kasimir Malevich and Ellsworth Kelly, but it will tell you about the piece’s origins in Mama-Nitzberg thinking about digital manipulation and friends who died young. (It won’t tell you what they died of, but you’ll make whatever assumptions you’ll make.) There’s also a free-standing photographic sign melding text and abstraction in front of an abstract work on canvas, which relays a story about the artist’s loss of his mother and also speaks to how we hold on to those we love and whether art in its currently debased state has any value. Oh! That one will also help you understand what the canvas and some other photographs in the show have to do with Bette Midler’s relationship to a certain chapter of queer history. We could lay all of this out for you, but perhaps in a moment in which everything is available on our phones and everything is expected to be immediately legible and easily digestible the one remaining radical gesture is to hazard obscurity, to make and exhibit works that follow their obsessions as far as they will go, to have faith in one another’s curiosity and empathy at the risk of misrecognition or misunderstanding. You may or may not know who Paul was or what he has to do with this show, and you may or may not know about Raymond Burr’s fictional sons’ fictional leukemia, but this knowledge or lack of knowledge is to some extent a function of identity and privilege, and thinking about these things is perhaps a good start towards learning to be together in the world, to thinking more critically, and to seeing ourselves and one another more clearly. We look forward to seeing you. “’I don’t know,’ he replied. ‘I didn’t mean to be polite, or impolite, either. I guess it’s a sort of way I have of saying things, regardless.’” – Willa Cather, from “Paul’s Case” Joe Mama-Nitzberg received a B.A. from San Francisco State University in 1989 and an M.F.A. from Art Center College of Design, Pasadena, California, in 1995. He lives and works in Catskill, New York. He has had solo exhibitions at Grant Wahlquist Gallery; Basilica, Hudson; Galerie Catherine Bastide, Brussels; and Marc Foxx, Los Angeles. His work has also been featured in exhibitions at venues including Bunker 259, Brooklyn (organized by Regina Rex); Andrew Edlin Gallery, New York; the Salzburger Kunstverein, Salzburg; the Pittsburg Center for the Arts; the Louisiana Museum of Modern Art, Denmark; Los Angeles Contemporary Exhibitions; Gavin Brown’s Enterprise, New York; David Zwirner Gallery, New York; the Renaissance Society, Chicago; and White Columns, New York. His work is in the collection of the Museum of Contemporary Art, Los Angeles, and the Walker Art Center, Minneapolis, Minnesota. The gallery is located at 30 City Center, Portland, Maine. Gallery hours are Wednesday through Saturday, 11 am to 6 pm, and by appointment. For more information, visit http://grantwahlquist.com, call 207.245.5732, or email info@grantwahlquist.com.
Artist(s):
Joe Mama-Nitzberg
Medium:
Archival inkjet print on Duratrans in lightbox
Maine Jewish Museum
267 Congress St
Faith Regained: Mark Baum Early Works - Spiegel Gallery Later Works - Fineberg Family Community Room Mark Baum (1903–1997) was a Polish-born American artist whose paintings and artistic direction are unique in the twentieth-century modernist canon. Baum was born into a conservative Jewish family in what is now Southeast Poland, near the Ukrainian border. Following World War I and a daring emigration through occupied Europe to New York City in 1919, he turned to art. Mostly self-taught, Baum became a respected painter of city- and landscapes in the late 1920s, having his first solo exhibition at the Whitney Galleries in 1929, with subsequent shows at Marie Harriman Gallery in 1931 and Perls Galleries in 1941, among others. His work was collected by a number of museums, including the Whitney and the Frick, as well as the private collection of Alfred Stieglitz. His representational period of work is notable for its unusual perspective, flattened patterning, and mix of the natural and industrial presented as a total vision. At the end of World War II, with the revelations of its devastation to his homeland and family, Baum fell into crisis—personally and artistically. The painter became disillusioned with the representational art that had become his trademark, though in looking at it anew he understood that it contained the seeds of something important for where he needed to go. Baum began to see his painting as part of—and the vehicle for—a larger spiritual quest. Initially this took the form of a richly experimental transitional period in the late 1940s and early 1950s, during which he maintained representational and symbolic imagery. Then in 1957 he moved decisively to non-objective painting, developing a unique, abstract form he called “the element.” This form was inspired by a revelation he had upon re-looking at his 1948 painting Aspirational Staircase; specifically, he sought to create a singular shape that, like the staircase, invoked a rhythmical, directional movement. He evolved the “element” over a decade arriving at its final form in the late 1960s. Baum would paint exclusively using this element until his death in 1997. The “element” was presciently algorithmic of our digital age in the sense that it was a code by which he could build worlds, but it also became a spiritual vocabulary and a creative, cosmic force unto itself. This glyph was for Baum a visual mantra through which he regained his faith and was able to once again access the awe of the universe. Baum’s change to non-representational art also corresponded with his move out of the New York art scene and to rural Maine (Cape Neddick), where he painted in a converted barn and nurtured an extensive garden. Working in virtual obscurity for almost three decades, Baum nonetheless had the faith of the visionary that he was: he felt sure that even though his work was unrecognized in the moment, it was accessing a larger spiritual channel and would someday be understood. Mark Baum’s painting is found in the collections of the Metropolitan Museum, the Smithsonian American Art Museum, the Whitney Museum, the Fogg Art Museum, the Berkeley Art Museum, and Bowdoin College Museum of Art, among others. Interpreting the Silence Jessyca M Broekman Third Floor Sanctuary Interpreting the Silence is an exhibition of Jessyca Broekman’s artist’s books and mixed media paintings examining her family’s history – a history shrouded in mystery. Her parents both survived the Holocaust, but were never willing to discuss those experiences. Using facsimiles of writing, photos, and other ephemera, Broekman has created a series of one-of-a-kind sculptural artist’s books that explore the intersection between past and present, and the ramifications of keeping secrets. Rather than being specifically illustrative, these books evoke the journeys we take from one moment to the next, asking questions about what we keep, carry forward, and transform throughout the course of our lives. Jessyca Broekman has lived and worked in Maine for more than 30 years. Her work has been widely exhibited and collected. She has been awarded an NEA Individual Artist Grant for Works-on-Paper and residences at Yaddo, VSC and The Heliker-LaHotan Foundation.
Artist(s):
Mark Baum
Medium:
Acrylic on Canvas
Atrium @ PPL
In honor of 100 years of Maine Suffrage, the Women in Harmony chorus will perform at 6pm just inside the Congress Street doors of the Portland Public Library's main branch.
Artist(s):
Women in Harmony chorus
Medium:
music
Maine College of Art
Make.Art.Think. at MECA 380 Cumberland Ave., Portland (corner of Cumberland and Casco) Opening Reception: Friday, November 1, 5-6:30PM Please join Maine College of Art's Master of Arts in Teaching (MAT) candidates and LearningWorks Afterschool students, families, and staff in a celebration of artwork created during Make.Art.Think. Art Enrichment Classes. Come see artwork from 150 students across Portland and South Portland LearningWorks Sites, along with plenty of food, drink & gallery games! The exhibition will be open to the public during the First Friday Artwalk, 5 - 8 PM. View exhibit by arrangement November 2-6 - email Kelly McConnell, MAT Program Chair, at kmcconnell@meca.edu to inquire. This program is supported by Jeremy Moser and Laura Kittle through a gift from the Moser Family Foundation.
Artist(s):
Medium:
Mechanics' Hall
Stop by Mechanics' Hall library for another exciting partnership event with Print: A Bookstore. We invite Patricia O’Donnell, author of The Vigilance of Stars, together with Hannah Calkin, author of Pomegranate Odyssey, to discuss their latest work and the art of writing and teaching in our library. Patricia O’Donnell, The Vigilance of Stars: Four stories twine together in this novel set in both contemporary and 1950’s Maine. Kiya, a Portland hair stylist in her early 20’s, becomes unexpectedly pregnant and determined to keep the baby as she struggles to recover from her brother’s suicide. Peter, the baby’s father, wants to break away from Kiya and find love—somewhere else. Maddie, Peter’s mother, fights her own loneliness as she cares for Alex, incapacitated in a nursing home. Evie, Maddie’s mother, appears as a young woman in the 1950’s, searching to heal herself both emotionally and physically. Kiya loses her confidence to be a mother in a shattering experience, which drives her from her home in Portland into the care of Maddie. On the shores of a wide and quiet lake in central Maine, Kiya tries to piece herself together. Peter, still in Portland, struggles to do the right thing without assuming the responsibilities of fatherhood, finding help from his new girlfriend Toni, who—for reasons of her own—pushes him into helping Kiya. In counterpoint to the lives of her descendants, Evie, Peter’s grandmother and Maddie’s mother, puts herself into the care of Wilhelm Reich at his institute in northern Maine, Orgonon. She is hoping to heal both her melanoma and (though she can hardly admit this to herself) her sexual problems. The characters’ lives spiral together, moving with inexorable force toward an ending which takes place on an uninhabited island in Maine where the stars stand watch over lives both old and new. Hannah Calkin, Pomegranate Odyssey: Pomegranate Odyssey is a celebration of women in fairy tales and mythology through a series of narrative and lyrical poems. From Rapunzel to Persephone and girlhood to womanhood, Calkin explores the evolution of the archetypal female protagonist in classic literature and modern culture. Reading Series: First Friday, Nov 1st. FREE and open to the public. 7:00-8:00PM. Elevator access to second floor gallery. Light refreshments provided by Mechanics’ Hall.
Artist(s):
Medium:
Roux & Cyr International Fine Art Gallery
48 Free Street
Roux & Cyr International Fine Art Gallery invites you to join us for an art opening with new works by Michael Milczarek. Please join us for wine and cheese on First Friday, November 1, from 5:00 - 8:00. This exhibit runs through November 29. Michael Milczarek, a New England artist, brings us new works just in time for your pre-holiday shopping! He is known for his dramatic skies and water. He captures a real sense of space, seemingly with such ease. Whether moving his viewers eye deep into the far distance or vertically down the edge of a cliff to view the churning waters below, he sends us on a journey that is difficult to achieve. Milczarek’s oil paintings are filled with intense contrast in areas and extreme softness in others. He uses vivid shots of color to accent his otherwise neutral tone scenes. His brushwork is both soft and gentle and direct and stark. He plays two opposites in nice balance on canvas and it is the power and the emotion behind his beautiful work. Come meet the artist on November 1. Roux & Cyr International Fine Art Gallery is truly Uniting the World Through Art. Our Studio Exhibit is showcasing works by Corrine Bongiovanni. Many of you know her because she is my very appreciated helper during First Friday Art Walks. She was the People’s Choice Award winner during our April Juried Show. She works in both oil and acrylic, focusing primarily on figurative/portraits and landscapes. Her palette is primarily earthy as she loves the richness of the golds to browns. That’s not to say that she doesn’t enjoy punching color in all it’s brightness as well. Her brushstroke is direct and the use of palette knife to create interesting textures is a favorite of hers. Come meet both artists on November 1! Are you looking to redecorate your home? We’re your one stop where you will find spectacular paintings that will turn any room into a stunning focus of your home. We’re happy to work with you to help you select just the right painting for you. Color Workshop by Susan Roux - January 10, 11, 12 from 9:30-4 - $250 This workshop focuses on learning to use color creatively. Do you fear color? Is your work trapped in local color? Color is emotion, and learning to use it to your advantage can transform your paintings. Please call for more information. Slots are filling up quickly. Portrait/Figurative Workshop with Susan Roux - March 13, 14, 15 from 9:30-4:00 - $250 For those of you wishing to paint portraits or the full figure, this is your opportunity to learn from the artist who paints figures regularly. Learn how to capture the subtleties that really help convey the special qualities of your model. Attention to proportions, detail, and values will also be prominent teaching points during this workshop. Space is limited so sign up early! Commissioned portraits by Susan Roux Roux is accepting portrait commissions at this time. Come in or call with your questions. Gallery Services: Framing. We are happy to inform you that we will now be offering framing for your convenience. Get the helpful eye of an artist to put just the right frame on all your framing needs. We’re happy to work with you. Art Concierge. We help you create beautiful spaces in your home or business, which captures the look and feel you desire, by bringing art directly into your space so you can view it with your own lighting and your own unique surroundings. Come ask about this unique boutique service. Oil Painting Classes. Offering a range of classes from beginner through advance. For more information, please contact the gallery. Art Immersion. Come spend a week in the gallery painting with instructions from Susan Roux. It’s a great way to jump back into art if you’ve wandered away from it or improve the skills you continue to develop. Please join us for our special exhibits along with works of 35 artists from 10 different countries. We look forward to seeing you soon! Creatively, Susan Roux & Cyr International Fine Art Gallery 48 Free Street Portland, ME 04101 207-576-7787 www.rouxandcyrgallery.com
Artist(s):
Michael Milczarek
Medium:
oil
Portland Museum of Art
Countless people across the globe can close their eyes and conjure Wyeth’s work—his vibrant use of color, his striking figures, his storyteller’s sense of visual narrative. Many are aware of his onetime standing as the country’s foremost illustrator, his deep ties to the places he lived—particularly Brandywine River Valley in Pennsylvania, and midcoast Maine—and his stature as patriarch to three generations of acclaimed artists, including his son Andrew and grandson Jamie. Very few, however, can describe his life beyond these brief biographical touchstones. N. C. Wyeth: New Perspectives aims to broaden our understanding of Wyeth and American art. Image: N.C. Wyeth (United States, 1882 - 1945) Captain Nemo (detail), 1911, oil on canvas, 40 3/16 x 30 1/8 inches. The Andrew and Betsy Wyeth Collection.
Artist(s):
N. C. Wyeth
Medium:
paintings
Coffee By Design, Congress St.
Nance Parker is a Portland native, the artistic director of Shoestring Theater, a painter, and a proud member of the Side x Side teaching team. Her work has been seen throughout the city and state for over 40 years in community parades, art exhibits, and puppet shows. She is a strong believer that art is for everyone and serves to enhance the quality of everyone lives. Whether as a participant or an observer, art makes life better.
Artist(s):
Nance Parker
Medium:
Acrylic work on Panels and Canvas
Coffee By Design, India St.
Nance Parker is a Portland native, the artistic director of Shoestring Theater, a painter, and a proud member of the Side x Side teaching team. Her work has been seen throughout the city and state for over 40 years in community parades, art exhibits, and puppet shows. She is a strong believer that art is for everyone and serves to enhance the quality of everyone lives. Whether as a participant or an observer, art makes life better.
Artist(s):
Nance Parker
Medium:
Acrylic work on Panels and Canvas
Fork Food Lab
Curious about what Fork Food Lab is all about? Come check it out! Tours of the facility on the half hour.
Artist(s):
Medium:
SPACE
538 Congress Street
Bee's work stems from trauma, grief, love, unity, history, crime, dysphoria, dystopia, utopia, memories, unconscious thought, psychedelic experience, and the celebration of existence. Their work often speaks in blunt defiance of authority and denounces all systems of oppression. They are an active member and organizer at New Fruit, an affordable shared studio space in Portland. "This project, in particular, draws influence from 60s and 70s children’s books... I find so much beauty in the ways people worked in that time period, which is very different from a lot of illustration now — super produced, complex, and technological. So many of those drawings are just two or three colors filled in, and still spilling over the outline." Bee Daniel is a multi-disciplinary, non-binary trans artist living and working in Portland, Maine. Follow Bee on Instagram @lil_bees_dream_emulator
Artist(s):
Bee Daniel
Medium:
paint
Rising Tide Brewing Company
Delicious treats from various Fork Food Lab members available for purchase.
Artist(s):
Medium:
SPACE
538 Congress Street
SPACE is pleased to announce a new window installation, "Portland Terrain Biennial," co-organized by Meg Hahn, Bailey Romaine, and Brendan Shea. The Portland Terrain Biennial is an exhibition of site-specific art made for front yards, balconies, windows, and porches. The intent is to repurpose private spaces into public spaces in order to foster dialogue between neighbors and provide opportunities for artists and viewers alike to experience new perspectives. This October, the Portland Terrain Biennial will have 18 artists presenting site-specific artwork at SPACE Gallery's Window Gallery, in addition to 14 residential sites throughout Portland and its surrounding area. Follow Portland Terrain Biennial on Instagram: @portland_terrain_biennial
Artist(s):
Medium:
Portland Public Art Committe
Rustle Diptych II, a vertical, red-painted steel sculpture by Maine College of Art (MECA) graduate Vivien Beer, is sited in Winslow Park, at the corner of Baxter Boulevard and Temple Street. Rustle Diptych II was designed to conjure the idea of “a sail caught in the wind, a wisp of smoke and an ironic throne.” Beer also contributed Cloud Couch as a companion piece for Rustle Diptych II. Winslow Park was for many years the home of a carved wooden sculpture, Milkweed Pod (1975), by Maine sculptor Clark Fitzgerald. Carved from a Deering Oaks Park log, it was installed as a temporary piece in the park. It became so popular, however, it was eventually moved to Winslow Park and became a part of the City’s permanent public art collection. The sculpture gradually rotted and eventually blew down in a strong wind. The Portland Public Art Committee decided to replace it with an existing sculpture by a Maine-based artist, and Beer’s work was chosen based on an interior piece she exhibited at MECA’s Institute for Contemporary Art.
Artist(s):
Vivien Beer
Medium:
Painted Steel
Richard Boyd Art Gallery
15 Epps Street
Join us at Richard Boyd Art Gallery Friday, November 1st for the opening of an annual exhibit of paintings that evoke feelings of tranquility or calmness in viewers. With so much happening this November, from celebrations including the Maine Suffrage Centennial, holiday gatherings, the ever growing to do list, and our ongoing struggle to reach inclusion and equality for all, it’s easy to become overwhelmed. So take a break, stop in Richard Boyd Art Gallery and relax while viewing over twenty paintings by gallery artists Patricia Chandler – oil, and cold wax medium; Carrin Culotta – oil; Kevin Daley – oil; Randy Eckard – watercolor; Jane Herbert – acrylic; Roy Perkinson – oil, and pastel; Jen Pagnini – oil; and Susan Tan - watercolor. Serenity – 2019 is open free of charge every Friday, Saturday, and Sunday between the hours of 10:00 a.m. and 3:00 p.m. from November 1 through November 30, 2019. Open to 8:00 p.m. on the first Friday of the month. Additional days and times by chance or scheduled by appointment. For more information about the exhibit contact the gallery by phone at (207)-712-1097, via email info@richardboydartgallery.com or visit the gallery’s website at www.richardboydartgallery.com . All works are available for purchase at the gallery. Follow us on Instagram #richardboydartgallery and like us on Facebook at www.facebook.com/RichardBoydArtGallery . Image: Roy Perkinson ~ ‘November on the Pond’ ~ Oil on Canvas 18” x 24” Copyright© 2019 Richard Boyd Art Gallery All Rights Reserved
Artist(s):
Patricia Chandler; Carrin Culotta; Kevin Daley; Randy Eckard; Jane Herbert; Roy Perkinson; and Susan Tan.
Medium:
Oil, acrylic,watercolor, cold wax medium, pastels and mixed media.
Able Baker Contemporary
Join us for the final day of “Shift,” curated by Tracy McKenna and featuring artists Rose Marasco, Emilie Stark-Menneg, Emily Mullin, Jason Rohlf, Carl D’Alvia, Catherine Haggarty, Paolo Arao, Caetlynn Booth, Jen Hitchings, and Elise Ferguson. The multigenerational artists of “Shift” use reflections, imperfect symmetry and pairs, and mirroring. They explore the difference between simulacrum and verisimilitude to reveal hidden truths. Whether it’s personal identity, environmental issues, or a deep dive into craft, something is skewed. Something is just a little bit off. Something significant has shifted in their portrayals and our perceptions. There’s a hint of mystery and a portal into an alternate world. It’s not magic, it’s there in front of us if we choose to see it. Able Baker is an artist-run, painting-forward contemporary art gallery. Visit us at 29 Forest Avenue. We are open from 1pm to 5:30pm Fridays-Sundays with extended hours on First Fridays.
Artist(s):
Jason Rohlf
Medium:
Acrylic on muslin shop rags
Maine Craft Portland
Maine Craft Portland is setting its table again for "The Dining Room." This second annual group show exhibition will represent all craft mediums ready for your holiday hosting. On the table and throughout the gallery you will see finely hand crafted items such as forged flatware, thrown dinnerware, Venetian stemware, felted trivets, napkin rings, and much much more! Also specially built for this year's show is the dining table and chairs created by the fine woodworkers of W.A. Mitchell. Come join us for this cozy candlelit opening!
Artist(s):
Medium:
Trueline Gallery @ 561
561 Congress Street
Portland-based marketing agency Trueline will host another “First Friday” art show on November 1 at its 561 Congress Street headquarters. While the company’s first three shows featured a dynamic roster of local and regional creators, the next installment will highlight one artist in particular: the legendary Zoo Cain. A fixture in and around Portland, Cain is known for creating colorful, kaleidoscopic pieces in a variety of formats, including wood panel, sculpture and paper. Cain was also the subject of a documentary by filmmaker Reginald Groff, “Peace, Love and Zoo.” Don’t miss this amazing showcase by one of Portland’s most beloved artists. Formerly the home of the Salt Institute for Documentary Studies, the space at 561 Congress has a proud history of championing local art—a tradition that Trueline intends to continue. Wine and light snacks will be on tap. In addition, we’ll be giving away one free hour of business consulting to all guests that leave a business card with us!
Artist(s):
Zoo Cain
Medium:
Zoo Cain
SPEEDWELL//projects
SPEEDWELL projects is pleased to announce that the powerful exhibition Tiny Pricks Project by Diana Weymar, is on view until November 3, 2019. The Tiny Pricks Project is a public art project and exhibition about the Trump era by artist/activist Diana Weymar. Tiny Pricks Project is an ongoing community project in which participants stitch quotes by Trump into antique textiles to create a material record of his presidency. Since Weymar started the collaborative project in January of 2018, hundreds of people across the world have submitted unique, hand-stitched contributions. This exhibition marks the first time the work will be on display in Maine. Tiny Pricks Projects holds a creative, accessible and cathartic space during a tumultuous political climate. The series counterbalances the impermanence of Twitter, other social media, and Trump’s statements by utilizing vintage textiles as a memory-making timeline. Weymar references the key role embroidery played in the women’s suffrage movement and notes it is symbolic of warmth, comfort, craft, civility, care, and a shared history. Community participation is a vital component of this exhibition, and we are saving a wall in the gallery to fill with embroidered pieces made by our community. Please note that the gallery is open on Thursday, Friday, and Saturday from 12 - 6 PM.
Artist(s):
Diana Weymar
Medium:
SPEEDWELL//projects
SPEEDWELL projects is pleased to announce that the powerful exhibition Tiny Pricks Project by Diana Weymar, is on view until November 3, 2019. The Tiny Pricks Project is a public art project and exhibition about the Trump era by artist/activist Diana Weymar. Tiny Pricks Project is an ongoing community project in which participants stitch quotes by Trump into antique textiles to create a material record of his presidency. Since Weymar started the collaborative project in January of 2018, hundreds of people across the world have submitted unique, hand-stitched contributions. This exhibition marks the first time the work will be on display in Maine. Tiny Pricks Projects holds a creative, accessible and cathartic space during a tumultuous political climate. The series counterbalances the impermanence of Twitter, other social media, and Trump’s statements by utilizing vintage textiles as a memory-making timeline. Weymar references the key role embroidery played in the women’s suffrage movement and notes it is symbolic of warmth, comfort, craft, civility, care, and a shared history. Community participation is a vital component of this exhibition, and we are saving a wall in the gallery to fill with embroidered pieces made by our community. Please note that the gallery is open on Thursday, Friday, and Saturday from 12 - 6 PM.
Artist(s):
Diana Weymar
Medium:
Dorothea and Leo Rabkin Foundation
A glowing, dramatic show of historic work newly discovered from our archive of Leo Rabkin's life work. Watercolors of major scale, intricate hand-colored and embellished prints take the viewer through a thoughtful and emotional exploration of radiant auras of color, orbs floating through space and cosmic drifts of light and colored dust. Our year-long inventory project has yielded many surprises now ready to be shared with the Portland arts community.
Artist(s):
Leo Rabkin
Medium:
Watercolor and mixed media
UMVA Gallery at Portland Media Center
516 Congress Street
The Union of Maine Visual Artists (UMVA) will be holding its annual Fall Members Exhibition for November 2019. The opening reception will be, yes, that's right, on Friday, November 1, 2019, 5:00-8pm, at the UMVA Gallery, located in the Portland Media Center, 516 Congress St., Portland, ME. The exhibit will run through the end of the month, until November 30. The exhibit is open to all Members throughout this statewide artists group. There is no theme for this show, but the range, scope, and variety of the exhibit will be extensive, including 2 and 3 dimensional artwork and widely varying styles and genres. It should represent the organization in all its anarchic and individualistic strength. Expect to see political, environmental, conceptual, figurative, abstract, sophisticated and primitive styles. A smorgasbord of visual delight! The UMVA Gallery is open during typical business hours, Monday-Thursday, and on Friday, Saturday, and Sunday, 1-5pm.
Artist(s):
Medium:

SPONSORS

              

 

 

 

 

 

INTERESTED IN PARTICIPATING